"As a guitarist, Michael Morley undertakes a leap of faith similar to that of rugged individualists Keiji Haino and Borbetomagus' Donald Miller, restoring devotion to his archaic instrument's electric threat through the organic mutilation of volume and lethal distortion. A low-tech delay-pedal-as-phantom-turbine is his most ubiquitous processor; an analogue synth vibrates oblique planes of sound; songs become dust, dispersed by the mercurial rhythms of undulating mirages."
The Wire